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Kamis, 15 Desember 2016

Free PDF 2016 National Construction Estimator (National Construction Estimator) (National Construction Estimator (W/CD))

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Product details

Series: National Construction Estimator (W/CD)

Perfect Paperback: 672 pages

Publisher: Craftsman Book Co; 64th edition (November 30, 2015)

Language: English

ISBN-10: 1572183160

ISBN-13: 978-1572183162

Product Dimensions:

8.5 x 1.5 x 11 inches

Shipping Weight: 12.2 ounces

Average Customer Review:

3.7 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,299,777 in Books (See Top 100 in Books)

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As a real estate appraiser, this guide is far too detailed for my work, so I'm sending it back.

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Senin, 12 Desember 2016

Download PDF Stage Performance

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Stage Performance

From the Back Cover

There is a secret to winning an audience -- any audience, whether you're standing before them to sing a song, give a speech, or sell an idea. In his very popular Stage Performance class at Boston's renowned Berklee College of Music, singer-songwriter Livingston Taylor teaches students how to take to the stage without fear and deliver a natural performance that is rewarding for both the artist and the audience. Follow his unique approach to being comfortable in the spotlight, and discover: -- the conversion of performance-- the right way to begin -- and end -- your time onstage-- understanding and conquering stage fright-- the single most important factor in your show's success...and more.Thousands of shows in 30+ years have enabled Livingston Taylor to understand and offer solutions to the nervousness and confusion people experience onstage as they attempt to expose their art and ideas to others. Filled with humorous, inspiring, and instructive anecdotes from Taylor's own performing life, this is the book that can take every musician -- and performer of every kind -- to a new level of professionalism.

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About the Author

Most know Livingston Taylor through his prolific songwriting and performance career, which spans 40+ years. What many do not know is that Livingston has also been a teacher for over 20 years, imparting real-life lessons drawn from his experience on the road as a working musician. With 17 albums to his credit, including his latest, Last Alaska Moon, Livingston maintains a full concert schedule and continues to refine his Stage Performance courses, consistently rated “the best class at Berklee” by his ever-expanding group of students.

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Product details

Paperback: 148 pages

Publisher: CreateSpace Independent Publishing Platform; Revised edition (May 18, 2011)

Language: English

ISBN-10: 1461068843

ISBN-13: 978-1461068846

Product Dimensions:

5.5 x 0.4 x 8.5 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#242,834 in Books (See Top 100 in Books)

I've been playing live for over 40 years, and a couple of years ago the music business really took off for me. I'm always in search of ways to make my best even better, and Livingston's advice in this little book is so useful. Helped me take my game up a notch, it did, and the venues and fans notice it!

Although this book was mainly written for musicians, it is a good resource for anyone that performs on stage. I found it very helpful and insightful and recommend it to anyone who performs in public and wants to better their onstage persona. Liv shares his personal experiences and wants you to learn and benefit from his mistakes. He teaches us to be honest with the audience and ourselves and offers many teaching moments.

This is by FAR the best book on the subject I've ever read (and I've read a ton of them.)The lessons taught in this book are valuable for any entertainer, whether you're a musician, magician, comedian etc.Livingston Taylor is an amazing teacher that takes time to explain in a way that makes you feel enlightened.His live performances are chalked with examples of what he teaches so you can see it in action.I bought this on Kindle because I let other people borrow my softbound copy and I never got it back. This happened three times but I can't be mad because if there was a gift I would want to give another entertainer it would be this book.Thank you, Livingston for changing my perspective from the stage.

When I saw the announcement that a revised edition of Stage Performance was being released I pre-ordered my copy. My hope was that is would be just as informative and inspiring as the class I took from Livingston Taylor a few years back at the Berklee College of Music. A wonderful surprise came when I started reading and realized that the book is the stage performance class. I felt like I was sitting and listening to Liv perform his gentle lectures about a career in the music business, complete with his natural humor and stories from a lifetime of performing.This book couldn't have come at a better time for me. I took it with me as I embarked on my first west coast tour with another singer-songwriter friend of mine. I actually read the book aloud while she drove, pausing to discuss sections that related to our current situations. It was amazing that everything we were going through was right there in the book. We were relieved to know that our problems were not unique and all performers experience these growing pains. Each chapter ended with a "please remember" and a smile on our faces.I highly recommend this book to any performer. It's an easy read with lots of advice. Keep it handy because you'll want to check in from time to time for the inspiration alone.

For the most part? A bunch of self aggrandizing name dropping anecdotes with little practical application. Wheres the beef? Only an absolute beginner may find any knowledge here.

The book has some genuine and heartfelt advice for all musicians who perform regularly on stage. Livingston Taylor has enormous experience as a musician/performer and he has put together the learnings from his experiences into the book. He covers several important areas of stage performance - viewing the the audience as an ally, being aware and friendly, tackling difficult audience situations, your body language effectively on stage etc. As a performer, I could relate to most of the examples and on stage issues covered by him. He also talks about contracts, PR, concert etiquette and other topics that are of importance to musicians. I have started applying some of the principles and tips given in the book to my performances, and the results have been great. Get the book if you're a regular stage performer! Not only will it help you enjoy your performances, it might just make you a better person too!

It's got suggestions and info so useful, I'll probably read it once or twice more!

I highly recommend this book to anyone looking to perform on the stage, and not just singers or musicians.I had looked for a while for a book on the performance part of performing, but the field is a bit light on. There are stacks of books about playing, singing, stagecraft and so on, but very few that look at the heart of the performance itself.This is the exception & it is an exceptional read. It delivers in many dimensions what is needed to take a good performer to become a great performer.I cannot recommend it highly enough. Thank you Livingston Taylor for taking the time to present this oft overlooked topic in such a unique & useful way.

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Rabu, 30 November 2016

Free Download Carrie Mae Weems: Kitchen Table Series, by Sarah Lewis

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Review

"The art of Carrie Mae Weems is as subtle and sublimely elegant as it is uncompromisingly political... she is among the most radically innovative artists working today." (Zoe Lescaze New York Times)"Carrie Mae’s photographs and videos take women as their central subjects and delve into their interiors, drawing out experiences of friendship, motherhood, memory and race in order to make visible the near invisibility and lack of understanding and documentation of the domestic lives of women, in particular women of color." (Laurie Simmons)This exquisitely produced monograph presents the series by itself for the first time. (Andrea Kirsh Artblog)…this is (surprisingly) the first book-length rendering of Weems’ seminal 1990 domestic study. The brevity of the project―20 images and 14 text panels―gives it room to breathe here, adding intensity to the stark self-portraits and mini-dramas and the startlingly frank prose. (Jack Crager American Photo)So elegant and understated. The photos get to do the heavy lifting, but the design is gorgeous. (50 Covers of 2016) (Gail Anderson AIGA Design Archives)Long before the age of the selfie, Weems embarked on an unprecedented exploration of interiority. Very often her own subject, Weems produced work that is raw and personal and in many ways informs how we understand self-imaging even now. (Kimberly Drew Lenny)Honest and raw, The Kitchen Table Series illustrates how we are all learning―from ourselves and each other―in our journey through this thing called life. (Liana DeMasi Musee Magazine)Selected for Vogue.com's Best Photo Books of Spring 2016 (Suzanne Shaheen Vogue.com)[Weems's] Kitchen Table Series... [is] enduring, making its way into plenty of books and museums over the years. It’s now finally getting a stand-alone copy. (Stephanie Eckardt W Magazine)In book form, Kitchen Table is more intimate… Unlike the experience of meandering through a museum, stepping back to appreciate the images and nearing the text panels to skim them, the pace of exploration is now in a person’s hands. [Weems] and Matsumoto spread out the series―and essays by the scholars Sarah Lewis and Adrienne Edwards―over 86 pages, supplying ample space to absorb it. Weems remarks, of Kitchen Table in particular, 'It has clearly touched the lives of a great many people. It touches a chord and speaks to something that’s fairly universal.' And, something that’s continuously fresh. (Hilary Moss T: The New York Times Style Magazine)

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Product details

Hardcover: 86 pages

Publisher: Damiani/Matsumoto Editions (April 26, 2016)

Language: English

ISBN-10: 8862084625

ISBN-13: 978-8862084628

Product Dimensions:

10 x 0.8 x 14 inches

Shipping Weight: 4.7 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#112,003 in Books (See Top 100 in Books)

A brilliant idea well carried out.

Gorgeous book. Great plates and text. Powerful artist!

This is an amazing cocktail table book. It was exactly what I imagined and loved that it told a story. I took time to read the forward and introduction which helped to give the appropriate context as though visiting a museum.

Every photographer should spend time with Carrie Mae Weems! Do not miss this book.

I have been eyeing this book for over a year and I finally gave into the purchase. The photos tell a million and one stories. Great for coffee table or reading nook for conversation piece. Very happy with my purchase!

Brilliant artist. Good quality book.

I love Carrie's work. She is an amazing artist. This is one of her greatest series.

Stunning photographs and text by a True American Master

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Rabu, 16 November 2016

Free Ebook 150 Best Tagine Recipes: Including Tantalizing Recipes for Spice Blends and Accompaniments, by Pat Crocker

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150 Best Tagine Recipes: Including Tantalizing Recipes for Spice Blends and Accompaniments, by Pat Crocker


150 Best Tagine Recipes: Including Tantalizing Recipes for Spice Blends and Accompaniments, by Pat Crocker


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150 Best Tagine Recipes: Including Tantalizing Recipes for Spice Blends and Accompaniments, by Pat Crocker

About the Author

Pat Crocker is an international award-winning cookbook author, culinary herbalist and professional home economist.

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Product details

Paperback: 224 pages

Publisher: Robert Rose; 37549th edition (July 28, 2011)

Language: English

ISBN-10: 0778802795

ISBN-13: 978-0778802792

Product Dimensions:

7.2 x 1 x 10.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

54 customer reviews

Amazon Best Sellers Rank:

#490,121 in Books (See Top 100 in Books)

The recipes in this book are hit (meat with prunes!) and miss (freezing lemons and using the whole thing instead of just buying preserved lemons is awful!), but the hits have gotten my boyfriend to eat vegetables! AMAZING. I got a tagine for Christmas, and after buying this book spent a couple of weeks buying the various spice blends used in the recipes. We review each recipe, with the date, on a post-it, so that we know which ones we enjoyed, and if we had to make any substitutions. It's been fun so far, and we've been introduced to a lot of interesting flavors and fruits/vegetables we wouldn't normally use in savory dishes.

Had the most delicious meal last night. The Persian Chicken dish. I made a few changes in one of the mixtures as I don't like hot spicy food, but otherwise I followed the directions and it was better than any meal I have eaten in any restaurant.The book has wonderful info on use. Happy I read it as my Tagine did get a very fine long crack on the bottom and she says it is nothing to be concerned about. I think I got it as I used a diffuser that is 8 1/2" and the Tagine is 12". I ordered an 11" diffuser today.My husband was annoyed that I bought the Tagine, but now loves it as he also thought the meal was superbI am now stocking up on spices mentioned in the book and looking forward to making other delicious meals..

This is the 2nd one I purchase. It was a gift for my sister but I have one and feel it is a great starter cookbook for Persian cooking. I love the recipes in this cookbook. Have not made anything that's not terrific tasting and easy to make.

I would not part with this book, ever! Love the recipes and have made most of them several times, especially the unique spice blends that I use on a daily basis. I found the food in Morocco disappointing after cooking these recipes at home. The flavor is extraordinary and forces you to experiment with new vegetables and spices. One of my all-time favorite cookbooks in my giant collection. Easy to make too! Love it.

I bought this for a friend who had just bought a Tagine and he loves it. In fact, whenever I go visit, we choose a recipe and cook and eat it together. Excellent and easy to understand and do recipes.

I am new to cooking with a tagine and I really, really like this book. First of all, the few recipes that have been attempted has been really good -- even my wife whose tastes in food can vary from mine, has liked the few dishes that have been attempted. There is even a hummus recipe that does not use a tagine and it is outstanding.The other thing that I like about this book is the introduction that explains how to care/maintain a tagine, as well as some instructions to enable cooking on a stovetop and in an oven. The book is written for special tagines to be used on stovetops or flames, but the author provides information what needs to be done when the tagine is used in the oven (and possibly on a grill with in-direct heat). I appreciate some forethought by the author to give advice on cooking techniques to those of us not familiar with.I do not have other tagine cookbooks in my library to compare this book to. I cannot tell to how authentic the recipes are, but I do know what I like and I really like the recipes to have been attempted. I have even altered some of the meat recipes to a remove the meat and have a vegetarian dinner -- the food was nonetheless tasty.

Great Recipes. We have only tried about six recipes but they all came out perfectly. Can't wait until the next Tagine dinner!

The Golden Chicken with Potatoes and Chickpeas is worth the price of the book. The author also reviews the 6 most popular tagines and provides information on how to adapt the recipes for each tagine. Good background on spices and ingredients. Well written and illustrated.

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Sabtu, 12 November 2016

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Simians, Cyborgs and Women: The Reinvention of Nature

Donna Haraway analyses accounts, narratives, and stories of the creation of nature, living organisms, and cyborgs (cybernetic components) showing how deeply cultural assumptions penetrate into allegedly value-neutral medical research.

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Product details

Paperback: 288 pages

Publisher: Free Assn Books (July 1, 1996)

Language: English

ISBN-10: 1853431397

ISBN-13: 978-1853431395

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 14.1 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#436,322 in Books (See Top 100 in Books)

One of the challenges with a book of this caliber is where to start...wow. Really esoteric, and became a source for investigation into many other areas and philosophies after reading. One of the benchmarks for a excellent book is how it starts investigations into realities and information that you didn't even know existed. I'm a better person for having had consumed.

Haraway, as usual, writes an incredible book that dismantles much of the workings of subjective, patriarchal biological traditions and perspectives. Am very much looking forward to her upcoming book.

Haraway, as usual

In some parts, groundbreaking. In others, a bit longwinded and roaming. But that's Haraway's work in general. She'll blow your mind and make you sigh in boredom in turns.

I want to apologize for this review, because it is less a review of Haraway's exceptionally important book than it is a few sentences on the question of why someone should review a book on Amazon and why one should perhaps not. If you feel that you can competently say a few things about a book that will help a prospective reader know what they are getting into. If you have any kind of lingering doubt about your competency to review a book, then don't.Most of the people who have reviewed this book to date shouldn't have. There are books that don't simply exist within a field of studies, but define and constitute that field of studies, and their value transcends any one individual's like or dislike of it. Giving such a book anything less than five stars is beyond ludicrous. I do not like Freud's INTERPRETATION OF DREAMS, but to give it less than five stars is simply silly due to its status as a classic. You don't review a collection of essays by the philosopher Donald Davidson and give them two stars, because those essays possess a centrality in the fields of the philosophy of language and philosophy of mind and philosophy of action that persists even if you think it the most disagreeable book ever written. You may find Jacques Lacan's ECRITS dense and unreadable (and many do, though, hint: read the seminars first; while the essays in ECRITS contain the same content condensed to the point of unintelligibility, the same themes lace the seminars in more accessible fashion). You may give Donna Haraway's collection of essays one or two stars, but all that does is make you look silly. It isn't quite a certification of idiocy, but it is a bit like soiling yourself in public.Donna Haraway's essays on women in science, on the status of science, on women's studies, and, perhaps most of all, her essays on Cyborgs do not simply exist within their fields. One of my fields of specialization is Cyborg Studies. If I were to produce an essay on the significance of Cyborgs in today's society - and I believe the Cyborg is perhaps the most important key to understanding the world into which humans now exist - it would look absolutely nothing like Haraway's. I am writing such an essay, and when it is published, I pray it gets one-one thousandth of the attention that Professor Haraway's essay on Cyborgs has gotten. But here is the main difference between my prospective essay and hers (apart fro the fact that mine is analytic and critical rather than programmatic - my reasons for wanting to write about Cyborgs is different from Haraway's reasons): mine would be a study within Cyborg Studies. Dr. Haraway's essay more or less created and largely constitutes the field of Cyborg Studies. Or put it this way. One sometimes hears the expression, "You can do philosophy with Kant or against Kant, but either way you must do philosophy through Kant." The same holds true with Donna Haraway on any of a number of subjects. If you want to talk or write about academic writing about Gender and Science, then you must encounter Donna Haraway. She is inescapable. And the same is true about Cyborg Studies.You do not rate a book by Donna Haraway like you would a Stephen King novel. You will never surpass her to the point where you will reach a point where you can dismiss her with a one or two star review. Even if you adore Donna Haraway's work, you will probably never enjoy her writing. She is needlessly obscure like most academic writers. Not everyone who writes on intellectual matters is a bad writer. Haraway is not as appalling as Homi Bhoba or Judith Butler (two atrociously awful writers), but worse than almost anyone else. But here is the thing: most bad writers aren't worth taking the time to understand; Haraway is. Why academic writing is so persistently bad is a matter not sufficiently discussed, but primarily people write badly because everyone else in their field writes badly. Most will make excuses saying that they have to write this way because the issues are so complex that they require a break from everyday language. That seems to carry weight when you are talking about, say, Wittgenstein, whose ideas really did represent a break with the common place. But a number of ultra heavyweight writers are marvelously clear writers. The philosopher J. L. Austin is one such writer, and by insisting on writing in everyday language, he stripped away the false sheen of depth that some writers acquire by writing so obliquely that people assume that they are deep. If you restate Derrida in everyday language, he becomes horrendously trite. Ditto Heidegger (though his neologism do allow a sort of shorthand for ideas that would have required a lot of commonplace words). Schopenhauer and David Hume wrote about enormously complex ideas. Anyway, this is a pet peeve of mine and as much as I respect and admire Haraway as a thinker, that is how little I think of her as a prose writer. A lot of this comes, I believe, from a disdain of everyday individuals. Immanuel Kant wrote in that hideous prose of his because Wolff and Thomasius employed the same kind of style, and they established the role models of German philosophers. So Fichte imitates Kant and so on through today. I love that historians generally don't feel the need to write badly, but there are a host of great role models within history. The first person who can generally be considered a modern historian is Gibbon, whose prose is frequently gorgeous. The same is true of Macaulay and a host of others. Some, like Simon Schama, are absolutely brilliant prose writers. For a example of someone who writes beautifully within the field of literary theory, look at Christian Thorne's THE DIALECTIC OF COUNTER-ENLIGHTENMENT. There are numerous passages in that work that are not only clear, but hysterically funny. How can you resist a book with a chapter that begins with the words, "There are two things you can count on a[n early modern] Hobbesean not to like: they are European civilization and space aliens; and we will have understood something important about Hobbes's political thought if we can figure out what the one has to do with the other." Or read in any book by the British literary critic John Carey.There are also bits that are hard to understand because she assumes that you and she shared a common set off issues, that you have read many of the same people and have a similar understanding of the surrounding academic controversies. She does not do the common reader any favors here. She assumes you are already a part of the club. She targets her essays at scholars within her fields and individuals who aspire to be scholars within the field. This bothers me, since I think the world is best serves by people targeting their writings at intelligent people in general (I am thinking of writers like Jane Jacobs and C. Wright Mills and Robert Darnton). I believe in a democracy of idea and while I don't blame people who write obscurely for the rise of Neoliberalism, I do think that they haven't helped matters by making their fields too obscure for the general reader. I don't recommend anyone read Haraway. She has chosen her target audience and I think that really only those in that audience are going to find reading her rewarding. I don't recommend her, but then, I don't recommend Heidegger or Julia Kristeva to nonspecialists.But Haraway's ideas are important. She may be needlessly convoluted in books like WHEN SPECIES MEET and THE COMPANION SPECIES MANIFESTO (both of which should and could have been general interest books), but the ideas are worth unpacking from all of the crud encasing them. I think the people giving this book one or two stars are confusing ideas with the way they are expressed. She is needlessly difficult, but that doesn't mean that she isn't also a brilliant thinker. Haraway is worth rereading, which is not something you can say about everyone. When I was first embarking on my study of Cyborgs, I made it a habit to read her Cyborg Manifesto at least once a week. Sometimes I would read through the whole thing carefully, a part of a sentence at a time; sometimes I would just read through the whole thing quickly. I've outlined the essay, made notes on the essay, and copied down important bits on 3x5 notecards. I have probably read that one essay 50 times. And I'll read it again.So find your own reason for reading Haraway. But please, if you are forced to read her because other people have their own reasons for wanting you to read her, don't do her and yourself a disservice by giving her books less than five stars. Low reviews say nothing about the worth of her books and just makes such reviewers look silly.

Donna Haraway's work in this collection continues to amaze me. Her intense critical engagement with the history of science is resolutely brilliant: she takes common conceptions of the body, objectivity, power, and 'nature' and pulls the rug of patriarchal metaphysics out from under them. These essays are concerned with unravelling origins myths, pointing out the pitfalls of political innocence, deconstructing our conceptions of the natural and the artefactual--you know, the usual. Her project is immense, but the she hones her points in each essay very well with dazzlingly astute political analyses and characteristic poetic phrases. If you're interested in oppositional antiracist feminist consciousness, Haraway's yr philosopher.

The writings in this book have influenced a lot of sci-fi stories. You can trace its theories on post-humanism through many much older literary sources. You can examine books such as: Frankenstein, Paradise Lost and Do androids dream of electric sheep? If you have no interest in studying interesting concepts of post-humanism and feminism or don't have much knowledge of either then this may not be for you. Post-human and feminist concepts are discussed in great length and detail. If you don't know the link between the two--it basically talks about an eventual kind of equality that transcends conventionally defined identity.If you still don't know what I'm talking about then I guess you either have to read more or just stop and turn around shamefully, just let it be. Oh and don't make bad reviews of books because you lack the knowledge or understanding required.One of the most interesting pieces in the book is Donna Harraway's Cyborg Manifesto. It continues to influence many writers, directors and scholars to come.

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Kamis, 10 November 2016

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File Size: 1595 KB

Print Length: 108 pages

Simultaneous Device Usage: Unlimited

Publisher: Sonit Education Academy (November 26, 2015)

Publication Date: November 26, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B018M663AY

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#1,145,186 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Sabtu, 29 Oktober 2016

PDF Download The Incomplete Book of Running

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Audible Audiobook

Listening Length: 5 hours and 25 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Simon & Schuster Audio

Audible.com Release Date: October 30, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07FK4J1HZ

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I need to preface this review by noting my biases: I am also a short, bald father employed by an NPR station who loves to run and who also loves the Boston Red Sox. So my affinity towards Mr. Sagal is a given.With that said: I really loved this book and would have loved it whether or not my affinity towards Mr. Sagal was an undercurrent in my thinking. As a runner, a father, a husband, a person who has questioned their lifestyle upon notice of love handles, a person who has gone through both triumphs and struggles, this book hits nearly every reason why I don't "go out for a jog," but call myself "a runner."Perhaps it's best to start with what this book IS NOT.It's not a Talmudic interpretation of Hanson's marathon training (although both the Talmud and marathon training come up in the book). It's not a self-help book on how to start running (although you'll be inspired to start running if you aren't a runner already). It's not a sojourn through Mr. Sagal's lifetime running accomplishments (although you do visit several periods of his life and he does note some of his accomplishments). It's not like any other running book I have ever read (and I've read quite a few).The best way I can describe the book is this: it's what I imagine it would be like if I bellied up to the bar with Pete (because it's a bar, I'd call him Pete and not Mr. Sagal, unless he insisted) and had a few beers while talking about life, running, fatherhood, marriage, heartbreak, struggles, and triumphs.There are funny parts (obviously), some great stories (especially his experience as a guide for blind runners at the '13 and '14 Boston Marathon), and some pretty profound moments. No offense to Mr. Sagal (notice we aren't at the bar in this situation, so I'm more formal), but I didn't think I'd have to read this book with a pencil for underlining purposes as I, perhaps naively, did not approach this book with the idea that there would be quotes or thoughts to which I would want to return. But there were many moments where I stopped to think about the profundity of a sentence or an observation or a quote.Every runner will feel a familiarity with some of the concepts, thoughts, and feelings about which Pete writes (I'm drinking a beer as I type this so I'm going back to the informal for this part). Every father, husband, mother, wife, sibling, aunt, or uncle will feel the same. The book not so much explores the life of a runner, but all of our lives: searching for meaning, for a goal, for security, for self-worth, for a life well lived.I highly recommend it for everyone.

This is an interesting book written by Peter Sagal ( host of NPRs “Wait, Wait ... Don’t Tell Me”). The book is about his running life with particular focus on the year of his divorce. The book varies between being funny, thoughtful, sad, insightful. It is an easy read ... part memoir, part running book.

If the key test of a running book is whether or not it makes you want to get outside and running again as soon as possible, then this book gets an A+. Also, Peter? Can I give you a hug?

I enjoyed the book, so much so that I started reading it a second time. There was a small portion that ran contrary to my personal beliefs, but i skipped over it. I enjoyed how Peter interwove his personal running experiences with events affecting running and how different people approach running. In particular, those for whom running poses additional challenges. Many have mentioned how much Peter's decaying marriage and subsequent divorce are mentioned in the book. I personally viewed it as a sad background story and sought to enjoy the merits of the book despite it. That aspect does seem to come to a happy ending.

Don’t be shortsighted or fooled by the (shoe) tongue-in-cheek cover. There’s so much more in this book than meets the eye. Sagal is nothing short of a marathoning mensch who goes long and strong on everything from his own discovery of running as a reluctant teenager, to his midlife rediscovery of it, to adolescent growing pains, family oddities (an oxymoron), how we see ourselves, meeting life’s difficult challenges, aging and, last but not least, truly caring about others, e.g., by always being there, looking out for, and “stepping up” for visually-impaired runners, among others. "Incomplete" in audio delivers the complete experience: Sagal’s familiar voice – smart, funny, and genuinely, likably humble – makes it a fully entertaining romp, and definitely a great run for your money…

From the title of the book (I am, of course, an owner of "The Complete Book of Running") to the anecdotal stories told in a self-effacing manor, this book was a joy to read. The author downplays his abilities as a runner. But as a repeat Boston Marathoner and runner of almost 40 years, I am impressed with his running and his perspective on running and yes, even life's ups and downs. Worth the read if you like a fun look at running and life in general.

This is a good book for anyone who also became a middle aged runner or is thinking of it. There are some great insights and anecdotes. I missed having a little more of the sense of humor Mr. Sagal provides on Wait Wait...Don’t Tell Me, and I thought at times it was a little self indulgent but enjoyed it and would recommend it.

I would recommend this book to all runners, especially middle-aged, recently divorced men! A beautiful reminder of how this sport enhances all facets of our lives.

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Minggu, 09 Oktober 2016

Download Ebook The Party of the First Part: The Curious World of Legalese, by Adam Freedman

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The Party of the First Part: The Curious World of Legalese, by Adam Freedman

The Party of the First Part: The Curious World of Legalese, by Adam Freedman


The Party of the First Part: The Curious World of Legalese, by Adam Freedman


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The Party of the First Part: The Curious World of Legalese, by Adam Freedman

From Publishers Weekly

Freedman, who translates legal jargon into English for an investment bank and writes the Legal Lingo column for the New York Law Journal, offers a cornucopia of hilarious, offbeat and downright bizarre examples of simple concepts contorted into words that defy understanding, often retaining centuries-old lingo like Further affiant sayeth naught (which means: this is the end of the affidavit). Freedman is as much reformer as humorist, and he ably demonstrates that legal documents can be written in understandable prose. He also skewers the contingent of lawyers and academics who resist such changes in the name of precision and lampoons flaws in the legal system, such as judges' refusal to explain instructions to jurors who are mystified by phrases such as Circumstantial evidence is evidence that, if found to be true, proves a fact from which an inference of the existence of another fact may be drawn. Occasionally the three-jokes-a-page approach is more cute than clever, but this lighthearted farrago of the follies of the law is sure to amuse and to convince readers that legal language can be made plain. (Sept. 4) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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“If you ever wanted to go to law school but thought it would be painful and dull, you were right. Fortunately, Adam Freedman's wit and insight will give you in an afternoon what you need to navigate a lawyered-up world—and more laughs than you'd find in class, too.”—Kermit Roosevelt, Professor, University of Pennsylvania Law School and author of In the Shadow of the Law "The Party of the First Part is a terrific achievement—a hugely entertaining book about a subject that is normally anything but.  Against all odds, it makes legal language come to life.  It's the kind of book I wish I'd read before law school, and the perfect read for non-lawyers who wonder what they're missing."—Jeremy Blachman, author of Anonymous Lawyer "A lighthearted but lucid explanation of legalese."—William Safire, The New York Times“A gem of a book: bright, lucid, and compelling. I found myself laughing out loud, and wondering why lawyers can’t just eat their torts and go home.”—Cameron Stracher, author of Double Billing and publisher of the New York Law School Law Review

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Product details

Hardcover: 256 pages

Publisher: Henry Holt and Co.; First Edition edition (September 4, 2007)

Language: English

ISBN-10: 0805082239

ISBN-13: 978-0805082234

Product Dimensions:

5.4 x 0.9 x 8.9 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#955,105 in Books (See Top 100 in Books)

"The Party of the First Part" is an erudite, hilarious tour through 21st Century American legalese. Alan Freedman leads us through the ankle-grabbing underbrush of redundancy, dead phrases, faux Latin, and mindless obfuscation into which every reader - and writer - of legal documents eventually must stagger.Freedman is a sure-footed guide who knows the territory. Time and again, he yanks up a hoary word or phrase and shows us its tangled roots.Sometimes we find, clutching a root with a deathgrip, an advocate of the so-called "Precision School" of legal drafting. These lawyers and profs fear that awful chaos would result if lawyers quit using ancient Anglo/French/Latin phrases, in favor of words used by 21st Century Americans in everyday life. Chaos? Well gosh, people might have to *sue* if they can't agree what a word or phrase written in 21st Century English means. Uh-huh, thinks I: as if they aren't already suing by the thousands over the meaning of Roman-numeraled legal documents bristling with boilerplate clunkers such as "witnesseth," "hereinabove," "aforementioned," "covenant and agree," and "hereunto."This book should be required reading for every law student, law professor, judge and lawyer in the United States. It encourages those among us who want to write clearly when drafting legal documents. I hope it will at least give pause for thought to our colleagues who never met a hundred-word clause in the passive voice, that they didn't like.

A slim volume, packed with interest. The chapter on Wills, Wives and Wrecks is worth the price of admission. Are you sure that your will can pass the Fertile Octogenarian Rule?Adam Freedman has assembled a menagerie of legal expressions, many dating back to Norman French, with very specific meanings forged in thousands of judge's decisions. It's tempting to scorn legalese as a way for lawyers to obscure what they're up to, but the truth is that careful use of legal terms is a vital part of our justice system. This book is well indexed if you just need to consult it in a pinch, but it's so entertaining that you'll want to read every word.The Party of the First Part: The Curious World of Legalese

Funny and informative, read through it pretty quickly.

This book is an easy read. Not only is the book written in a plain style, but also it is formatted well, which makes for a breezy read. Aside from its easiness, almost every word in the book tells. A major accomplishment indeed.

Loved this book because it shows you how to get your point across in a legal form of writing using the least amount of words

This book is a funny and expansive look at the origin of legal terms and obscure laws, ranging. Although a fun read, the book seemed to lack focus. At times, it read as an advocacy piece encouraging the legal community to abandon traditional legalese, supported by what is inexplicably called "The Precision School", in favor of simple and widely accessible plain English, supported the "The Plain English School." At other times, the agenda seemed to be purely entertaining or educational. Perhaps all three.My reaction to this book varied as I was reading it. Parts are laugh-out-loud funny. The author's treatment of sex laws and laws regulating sales of sex toys is as entertaining as any stand-up comedian`s monologue. For example, in describing an Alabama court's 2004 decision that "ordinary vibrators" not designed primarily for genital stimulation are not impermissible sex toys, the author notes that this leaves the door wide open for the "sale of vibrators designed primarily for making cappuccino." He notes that North Dakota's sodomy laws specifically prohibit copulation with a bird, and catalogues the various (and often humorous) terms used to describe impermissible sex acts in throughout the US.Alternately, sections of the book are a little tedious, with broad-brush descriptions of term after legal term. The author is quite witty, but occasionally the wit teeters on the edge of sarcasm and sophomoric humor. Throughout the book, he uses little snippets of created dialogue that show the humor of a particular usage in a particular setting. Some are funnier than other.There is much to be learned here. The author tells the stories of the origins of negligence-based tort liability (an engineer named MacAdam, who developed a system for paving), He draws from ages-old legal cases from the US and UK, and isn`t afraid the identify the judge or court responsible..WHAT I LIKED: Overall the book is funny, full of information, seemingly well-researched, and nicely indexed. I read a lot and often don't notice, or am critical of the font and presentation. The presentation is also very visually appealing. The font, page layout, and paper quality are nice.WHAT I DIDN'T: Occasionally tedious, references are not citedOverall, I would recommend this book to collectors of legal trivia or anyone interested in understanding legalese or learning about the origin of legal terms.

Mr. Freedman's "The Party of the First Part" is a much more humorous review of Law School. Freedman covers Torts, Contracts, Criminal Law, Wills, Trusts, Estates and a multitude of other subjects that can even confuse some of the most academically gifted among us. I for one spent Law School in a haze because I felt like I was not getting the big picture. However, when I realized that the `law' does not have a big picture, I felt much more relaxed. Our Anglo-Saxon, Franco-Norman, Old English influenced law, as Mr. Freedman demonstrates, is a series of compromises and half-measures and it has always been that way. `Legalese' can be used as both a sword and a shield. For instance, Wills can be written in a way that makes sense to people, without any mention of the words "rest" "residue" or "remainder." But since these sounds good and lawyerly, it keeps showing up in Wills and Testaments. (Testament also being a redundancy too as Mr. Freedman demonstrates.) Thus, the odds of challenging a plain English Will and winning is much greater then one that packs more and more legalese in. Since legalese protects not only the lawyer and the client, legalese can also be used as a sword. For instance, why hire a lawyer if you could understand the documents that you are reading and signing? I encourage anyone to read this book to get a humorous side to a very dry topic.

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Jumat, 07 Oktober 2016

Download PDF Do-It-Yourself Wedding Ceremony: Choosing the Perfect Words and Officiating Your Unforgettable Day

Download PDF Do-It-Yourself Wedding Ceremony: Choosing the Perfect Words and Officiating Your Unforgettable Day

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Do-It-Yourself Wedding Ceremony: Choosing the Perfect Words and Officiating Your Unforgettable Day

Do-It-Yourself Wedding Ceremony: Choosing the Perfect Words and Officiating Your Unforgettable Day


Do-It-Yourself Wedding Ceremony: Choosing the Perfect Words and Officiating Your Unforgettable Day


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Do-It-Yourself Wedding Ceremony: Choosing the Perfect Words and Officiating Your Unforgettable Day

Review

Foreward Clarion Review    Rating: 5 out of 5This is a comprehensive resource for anyone planning a wedding who doesn't want to leave the details of this joyous event up to their officiant.The DIY movement hits the traditional wedding ceremony and changes things up in many artful and satisfying new ways in the revised edition of Dayna Reid's Do-it-Yourself Wedding Ceremony: Choosing the Perfect Words and Officiating Your Unforgettable Day. The author is a minister and has officiated at weddings for fourteen years; this experience with many different cultural and religious traditions gives authority to her suggestions for different readings, music selections, and other components so couples can tailor a celebration that most meaningfully expresses their interests and beliefs.Reid outlines potential elements that might be included in a marriage ceremony, from the procession to the recession, and delves into deeper examination of each so that couples can create a truly personalized event. It is empowering to have all the tools and templates needed to craft a celebration of the marriage union whether it is a spiritual or nonspiritual ceremony, a first wedding, a renewal of vows, or a ceremony uniting a blended family.The book describes wedding elements from many cultures, such as the Hawaiian exchange of leis, the African American tradition of jumping the broom, and examples from Jewish, Christian, Zen Buddhist, and Celtic wedding ceremonies. Couples can read about ways to involve children in the event, honor their parents, and recognize loved ones who are deceased or unable to attend their wedding. There is a chapter full of sample ceremonies and Reid even discusses how to become ordained or become a marriage officiant, in case a pair wants to have someone special in their lives perform a custom ceremony.Some of the examples of readings, prayers, and quotes will be familiar to wedding veterans, such as quotes from the Bible and Kahlil Gibran, but others are derived from a bouquet of surprising and unusual sources, such as Robert A. Heinlein, Armenian blessings, the Star Wars movies, classic children's books, and popular song lyrics. It would be fun to attend a wedding where the bride or groom recites a scene from the film Sideways, quotes a Beatles lyric, or murmurs the paean to love by an Ent and his Entwife from J.R.R. Tolkien's The Two Towers.It's easy to imagine how this book might look after a wedding couple got through with it: spine bent, replete with pages that are dogeared, stained, underlined, and packed with a rainbow of curly edged sticky notes. This is a comprehensive resource for anyone who is planning a wedding and doesn't want to leave the details of this joyous event up to their officiant. Others will welcome a book that outlines how to create a wedding ceremony that honors a couple coming from different cultures or beliefs. Whatever their background, Reid's book is a great reference for couples who want to devote as much attention to the significance of their vows as the selection of their wedding feast entrée or flower arrangements.

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Product details

Paperback: 258 pages

Publisher: CreateSpace Independent Publishing Platform; 3 edition (September 20, 2018)

Language: English

ISBN-10: 1726020142

ISBN-13: 978-1726020145

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

188 customer reviews

Amazon Best Sellers Rank:

#866,296 in Books (See Top 100 in Books)

With two days to prep with my son and his fiancée, we put together a meaningful and satisfying very small wedding. I officiated. Not exaggerating: I could not have done it without this book. Now that I have done one, I feel well prepared to officiate for just about anyone. The book has many samples of ceremonies, a variety of texts suitable for religious (primarily Christian) couples and others for nonreligious couples, some pop culture quotes, and practical suggestions. We used bits and pieces of all that material plus original texts and some ideas from our families' traditions and came up with something unique that reflected their personalities, values, and interests. Great investment! Four stars is only because I think with more editing the organization of the book could have been tighter and easier to use. But it is easy to use, don't get me wrong!

Whether you are religious, spiritual or indifferent, or whether you are a heterosexual or same-sex couple (which we are) this book is a wonderfully helpful place to start to create your wedding ceremony. We read through the book, (Kindle Version) highlighted the verses/blessings/sayings that we liked, then we took everything that we liked and printed them on to index cards by section of the ceremony and then narrowed it down again to the ones that we really liked and then we edited the verses even further to our own liking and to something that was really fitting for us as a couple. Here is a hot tip: I ended up buying a second version of this book on iBooks because you can email yourself all the highlighted entries though iBooks and then I just copied and pasted all the sections we like into MS Word (or similar) and then printed everything thing on to index cards.

This was one of the books I purchased to help make script writing easier for me as an officiant. It offers step-by-step instructions, practical guidance for a variety of ceremonies (ranging spiritual to secular), and has many wonderful quote suggestions. The couple was able to thumb through this book and pick their favorite of each script component, which simplified the process tremendously, and made it less stressful for everyone involved. I would recommend it, and know I will be returning to for future weddings.

I'm acting as the officiant for a friends wedding and this book is very easy to use for planning purposes. Not only does it help with all the different segments of the ceremony, it provides sample vows, etc. It is helpful both for people planning a religious service or people who are planning a secular service. If you are wanting a very traditional and/or conservative Christian ceremony, this book will still be helpful but more for process than variations on vows. The book skews towards a less traditional outlook, which is fine by me. I just thought I would point this out for those who might be looking for something conservative.

Through all the hub-bub of trying to pull together my wedding, and make it memorable and beautiful, I was really struggling. A friend told me about Dayna Reid and her new Do It Yourself Ceremony book, and WOW, what a difference! The book is so easy to understand and the way she itemizes all the different aspects of the wedding process, I don't know if I would have been able to really pull it off had it now been for this book. IT IS AMAZING!!! I highly recommend this book for brides to be everywhere, whether you are getting married this year, or its not even for a few years... it is great tool to put your own signature and flair on what should be THE most important day of your life!! I am going to be buying a bunch of them as gifts for some of my single friends as well as the ones that are planning to take the plunge soon. AWESOME AWESOME !!! 5 Stars!!!

I conducted a ceremony for the first time last month (June 2015), and this provided to be an invaluable aid. I had initially wanted to write a wedding ceremony from scratch, but it was daunting to create it whole cloth. Not only did this book lay out traditional and non-traditional wedding ceremony formats and actions, but it also provided multiple examples of text and quotes to use for religious, spiritual, and secular ceremonies.So, while I still created a unique and personalized experience for the wedding party, using this for ideas and inspirations relaxed me and allowed my creativity to flow. It destroyed the "power of the white."Whether you are yourself an officiant or are planning a wedding, I can't recommend this more highly.My officiating was a resounding success, by the way.

I've found this to be a great resource for building our non-religious ceremony. Lots of different options to choose from and the book is well organized.I'd suggest sitting down with your fiance and reading through it together. It might seem like a lot, and you might have to break the whole thing into multiple sessions, but I feel like its worth the time. Use a pen, underline the sections you like and come back through later to make the final decisions.

This wonderful little book has everything you need to know about writing a ceremony script that wows...plus more. I highly recommend this book for the new and not so new officiant.

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Kamis, 06 Oktober 2016

Ebook Free The Dragon Slayer: Folktales from Latin America: A TOON Graphic (TOON Graphics), by F. Isabel Campoy

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The Dragon Slayer: Folktales from Latin America: A TOON Graphic (TOON Graphics), by F. Isabel Campoy

The Dragon Slayer: Folktales from Latin America: A TOON Graphic (TOON Graphics), by F. Isabel Campoy


The Dragon Slayer: Folktales from Latin America: A TOON Graphic (TOON Graphics), by F. Isabel Campoy


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The Dragon Slayer: Folktales from Latin America: A TOON Graphic (TOON Graphics), by F. Isabel Campoy

Review

TEXAS BLUEBONNET AWARD 2019-20 MASTER LISTWINNER 2018 AESOP PRIZE (AMERICAN FOLKLORE SOCIETY)NEW YORK TIMES EDITORS' CHOICENAMED TO KIRKUS' REVIEWS BEST BOOKS OF 2018NPR 2018 GREAT READS"A trio of Latin American folktales are given a makeover in the children's-book debut of one of the brothers behind famed graphic-novel series Love and Rockets...In his six-panel pages, Hernandez flexes his considerable storytelling skills, his deceptively simple art conveying all the detail, nuance, and expression of character each story needs...In addition to the tales themselves, the book opens with an on-point essay by author F. Isabel Campoy putting the mix of Spanish and Native American influences in context...María E. Santana's simultaneously publishing Spanish-language translation is identical in look but far from dry, flawlessly employing its own language quirks. Rousing tales, spirited artwork, and rich backmatter ensure that this slim graphic novel for kids becomes a rich resource for all caregivers, not just those of Latinx children." - Kirkus Reviews STARRED REVIEW"These delightfully rendered stories should easily find a home in the folktale/fairy-tale section of any library." - School Library Journal"This beautifully designed collection, with amiable art in lovely full color, is perfect for bedtime read-aloud or a lesson on traditional folktales." - Booklist"With its eye-catching design, appealing cover, and its spirited stories, you may have to pry this entertaining and informative book from the hands of children." - Julie Danielson's "Four Favorites" on the Kirkus blog"It’s a perfect work for adults who grew up on Love and Rockets to share with their children, and it’s an equally perfect introduction to the rich folklore immediately to the south of the U.S." - Good Comics for Kids on the SLJ Blog"One of the best folktale and fairy tale-based comics I've seen...The Dragon Slayer is a sweet, short burst of smart, loving comics, and comes highly recommended." - Kinder Comics"I absolutely love this introduction to Latin American folktales, and can only hope there’s a volume 2 somewhere down the line. This is such a great addition to folk and fairy tale collections and diverse, culturally rich collections." - Mom Read It"Campoy’s introduction, and the tales’ origins and bibliography, including art reproductions, in the back matter, combine to enrich understanding of the culture of these strong heroines and heroes. Hernandez’s vivid illustrations make the tales modern, relatable and universal." - Youth Services Book Review Massachusetts

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Product details

Age Range: 7 - 10 years

Grade Level: 2 - 7

Lexile Measure: 570L (What's this?)

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Series: TOON Graphics

Hardcover: 48 pages

Publisher: TOON Graphics (April 3, 2018)

Language: English

ISBN-10: 1943145288

ISBN-13: 978-1943145287

Product Dimensions:

8 x 0.4 x 10.1 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#354,796 in Books (See Top 100 in Books)

Nice illustrations and graphic format but totally useless lessons -- unless you want to teach kids that it's good to cut out tongues, cut down forests, and be lazy while others do your work for you.

Jaime Hernandez is one of my favorite storytellers.

Strange folktales that are modern and not culturally mainstream. These do not engage my 2nd graders.

This is a delightful retelling for beginning readers in comic-book form of three Latin American folk tales by award-winning artist Jaime Hernandez (Love and Rockets): The Dragon Slayer, Martína Martinez and Pérez the Mouse, and Tup and the Ants. The tales are traditional, but these depictions are from modernized, retold versions by Alma Flor Ada and F. Isabel Campoy, the latter providing an Introduction on “Imagination and Tradition”. The three tales are lively and rollicking, and provide good moral lessons on how young heroes can accomplish their goal with bravery, keeping their word, willingness to work hard, and imagination. Two of the three have strong young woman heroines. “The Dragon Slayer” is available in both hardcover and paperback editions, and in English and a Spanish language edition: “La Matadragones: cuentos de Latinoamérica”.

This is a really delightful collection of three of the most believed stories in Hispanic/Latinx culture. I was really nostalgic for the art style, having been made to watch Muzzy the clock-eating alien as a child, and the tales were warm and familiar. It’s also really awesome to have a children’s book that really shows the diversity of Latin America and clearly as well as vibrantly communicates the importance of ingenuity, determination, generosity, love, loyalty, and not waiting for some hero but becoming your own.Also Jaime Hernandez emphasizes the importance of nurturing the strength of women and young girls and cultivating their sense of independence. He also sets out to highlight the tradition of celebrating these women in Latinx and Hispanic culture which is a much needed message, counter to what many of us are taught to believe about Latinx/Hispanic culture in the US and elsewhere.A much need small collection of cultural tales and a much welcomed children’s book debut from the already prolific Jaime Hernandez.

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